![]() Teri Shaffer Yamada, Ph.D., of CSULB, agrees that a plot does not include memorable scenes within a story that do not relate directly to other events but only "major events that move the action in a narrative." For example, in the 1997 film Titanic, when Rose climbs on the railing at the front of the ship and spreads her hands as if she's flying, this scene is memorable but does not directly influence other events, so it may not be considered as part of the plot. According to Forster, " The king died, and then the queen died, is a story, while The king died, and then the queen died of grief, is a plot." Forster described plot as the cause-and-effect relationship between events in a story. The term plot, however, in common usage (for example, a "movie plot") can mean a narrative summary or story synopsis, rather than a specific cause-and-effect sequence.Įarly 20th-century English novelist E. The term plot can also serve as a verb, referring to either the writer's crafting of a plot (devising and ordering story events), or else to a character's planning of future actions in the story. In the narrative sense, the term highlights important points which have consequences within the story, according to American science fiction writer Ansen Dibell. Plot is similar in meaning to the term storyline. ![]() Plots can vary from the simple-such as in a traditional ballad-to forming complex interwoven structures, with each part sometimes referred to as a subplot or imbroglio. The causal events of a plot can be thought of as a series of events linked by the connector "and so". In a literary work, film, or other narrative, the plot is the sequence of events in which each event affects the next one through the principle of cause-and-effect. The story events are numbered chronologically the red plot events are also connected logically by "so". The resolution leaves readers with a sense of closure, so they understand the fate of the protagonists and antagonists.Plot is the cause‐and‐effect sequence of main events in a story. Some stories have happy endings others have sad endings. All the loose ends are tied up, unless the author plans to write a sequel and purposely leaves room for further plot developments. The resolution tells us what happens to the characters after the conflict is resolved. The altercation is a direct result of the climax - Ewell wants revenge after the children's father, an attorney, defends an innocent black man and rebukes Ewell for lying about the case and mistreating his own daughter. For example, in "To Kill a Mockingbird" by Harper Lee, the falling action occurs when the antagonist, Bob Ewell, assaults two of the primary protagonists - Scout and Jem Finch - and the town recluse saves the children by killing Ewell. It leads up to the resolution and sets the stage for the final chapter of the story. The falling action occurs immediately after the climax and details the consequences - good or bad - that the characters must deal with after the turning point of events. The climax is the most exciting part of the story and initiates a turning point in the characters' lives. During the rising action, the protagonist often encounters some sort of crisis that creates tension.įor example, in "The Hunger Games" by Suzanne Collins, the climax occurs when Katniss and Peeta - the primary protagonists - decide to eat poisonous berries and commit double suicide, rather than kill one another. The rising action always leads up to the climax. The rising action occurs when the main problem or conflict is addressed with a form of action. The exposition sets the stage for his tumultuous, life-changing journey on a riverboat. The setting is the mid-1800s in a small river town along the Mississippi River the conflict revolves around Huck's desire to experience adventure, and his running away. ![]() For example, the exposition in "The Adventures of Huckleberry Finn" by Mark Twain centers on the introduction of Huckleberry Finn, an adolescent who's unhappy living with a strict widow, and has a shallow relationship with his greedy, unfit father. The author often discusses the characters' backstory, so readers gain insight as to why characters act or respond as they do. In the exposition, the author introduces the major characters, establishes the setting and reveals major conflicts in the story. ![]() The exposition is the beginning of the story and prepares the way for upcoming events.
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